Death, life, love, nature – in Espoo you can see cutting-edge contemporary art that takes you to basic questions

Espoo’s modern art museum EMMA’s autumn exhibition focuses on art created with the help of technology and artificial intelligence. There is also a work by Artificial Intelligence Art Pioneer Refik Anadol.

First, we enter a space filled with gigantic close-ups of swirls, waves, and ramifications of fingerprints. Then the index finger is pressed (other fingers can also be used) on the sensor, which magnifies the visitor’s fingerprint on the wall by a couple of hundred times with the help of a microscope. At the same time, the visitor’s heart curve also appears on the wall.

EMMA's In Search of Modernity exhibition.
From Pulse Index.
EMMA's In Search of Modernity exhibition.
Jakob Kudsk Steensen’s Resurrected work brings an extinct bird species to life through virtual technology.
Curator Arja Miller from EMMA.
Arja Miller, curator of the In Search of Modernity exhibition.
EMMA's In Search of Modernity exhibition.
Lu Yang’s Harhainen Mandala combines Tibetan Buddhism and the aesthetics of video games.

– I think it is important that new technologies, such as artificial intelligence and virtual reality, are not only and only in the main role, but that technology is a tool that is used to deal with important and meaningful issues. And that with technology it is possible to express something that was not possible before, states Arja Miller.

EMMA's In Search of Modernity exhibition.
Not the only one by Stephanie Dinkins uses a learning artificial intelligence that the audience can interact with.
EMMA's In Search of Modernity exhibition.
For Heather Dewey-Hagborg’s Strange Things piece, the artist collected hair and cigarette butts from the streets and public spaces of New York. Based on the DNA contained in the material, he created 3D printed portrait sculptures.
EMMA's In Search of Modernity exhibition.
Brandon Lipchik’s large-scale works are first sketched in the 3D world of the computer, then painted by hand on the canvas.
EMMA's In Search of Modernity exhibition.
Artist and researcher Sougwen Chung’s work includes robots that paint together with the artist.

Through scifi and video games to Google AI training

Artificial technology and organic nature are often perceived to be on a collision course with each other, but Refik Anadol, reached via video connection from Los Angeles, says that it is nature that inspires his artificial intelligence-based works.

– Our family’s summer home is located in eastern Turkey, where there are many forests. As a child, I often spent time with my family in such landscapes, and they have remained in my mind as beautiful, dreamlike memories.

EMMA's In Search of Modernity exhibition.
Refik Anadolin’s Koneharhoja: Dreams from nature data sculpture at EMMA.

The year 2016 was significant for Refik Anadol: he was able to participate in the Artist and Machine Intelligence program launched by Google for artists, which was implemented for the first time at the time.

Currently, Anadol has its own studio and laboratory in Los Angeles, where new possibilities and uses of artificial intelligence in art are researched and developed. Anadol has launched, among other things, the term _data painting_.

– I have always been very interested in simulation, and it has become a great source of inspiration for my artistic work. I am especially inspired by the fact that machines and algorithms can make the invisible visible. The data and information flowing around us can take any form. Data can become pigment, and the algorithm can act as a brush that uses that pigment.

Human figures are reflected in an endless series in a striated space.
Refik Anadol’s Infinity Room from 2017.

Artificial intelligence is a new inspiring universe

After several years of experiments, Refik Anadol has a very clear picture of the role of artificial intelligence in art making.

– I can’t paint or draw very well, but I have a lot of ideas and passion to create something new. When I work with artificial intelligence, I imagine that it is some kind of extension of both my body and my mind. It’s about cooperation with a machine that dreams and dreams.

In connection with an Anadolu project, a whopping 300 million nature images were downloaded for use by artificial intelligence: trees, lakes, mushrooms, plants. According to Anadol, the advantages of artificial intelligence in the creation process come to the fore when it comes to such a huge amount of information.

– Unlike a machine, of course I myself would not be able to remember the details contained in such a number of images. The machine, on the other hand, can bring all this information back to me, as a new feeling and idea. I feel that artificial intelligence has become a new inspiring universe for me, and at the same time also a new renaissance for the human mind.

Refik Anadol stands in a colorful space.
Refik Anadol in Istanbul last year. Anadol is from Istanbul.

– I think that in the future machines will be able to modify and model the human mind to some extent. Algorithms already affect our free will: they decide what we buy, what we read and what we listen to.

But what about the role of the artist in the future? Will the machine and artificial intelligence do everything for the artist?

– The role of the artist does not change in any way with today’s technology: we ask questions about what will happen next and we observe people and society. I actually think that with technology and artificial intelligence, the role of the artist will become even better. Artists get tools that allow them to ask bigger questions and we understand ourselves even more deeply. Knowing who we really are is the starting point of everything.

EMMA's In Search of Modernity exhibition.
In Teemu Lehmusruusu’s Parent Matter installation, 3D animations describe the formation of soil.
EMMA's In Search of Modernity exhibition.
Believe it or not, the breath of actress Seela Sella is recorded in this paper bag. Rafael Lozano-Hemmer’s Last Breath endlessly recycles breath stored in a bag.