The artist Akseli Gallen-Kallela was a multi-talent of his time, a \”curious experimenter and a traveler of his own path\”

Gallen-Kallela is remembered as a master of Kalevala-themed paintings. He was much more, although that is often forgotten.

When you enter the National Museum of Finland, you stand under the work of one of our country’s most famous artists.

Gallen-Kallela hands in a gust in front of Sampo's Robbery fresco.
Akseli Gallen-Kallela in front of the ceiling frescoes of the National Museum in 1928, when they were completed.
Detail of a fresco sketch.
Detail of the fresco.

Gallen-Kallela painted Kalevala motifs in his most famous works. In the Aino triptych, a young girl flees the approaching old Väinämö by boat.

Exhibition visitors look at the works.
Aino would rather drown than become Väinämöinen’s wife. The oil painting is from 1889.

The passionate approach to the Kalevala and the longing for the edge of the mythical authentic and original remained throughout his life.

Salt for the crow’s tail

The National Museum’s exhibition sheds light on the artist’s long career and opens up the versatile production of the internationally known artist. His first and last works are on display.

A painting where a boy looks at a crow that is pecking something from the ground.  The boy has patched pants and bare feet.
Poika ja varis is one of the famous works of the golden age of Finnish art.

The artist was only 19 years old when he painted the famous painting *Boy and Crow*.

According to the story, he got the boy to stay in his ways by saying that a crow will become tame if you throw salt on its tail.

– The painting depicts the moment when the boy waits to get close enough to the crow and throw the salt he is holding in his fist onto the crow’s tail.

A painting where the Imatra rapid is bubbling in the middle of the snow.  In the foreground is a pine grove and on the other side of the river is a forest.
Akseli Gallen-Kallela’s oil painting Imatra in winter from 1893.

Akseli Gallen-Kallela painted realistic folk pictures and untouched nature and wilderness.

His Finnishness can be seen in his landscape paintings: roaring rapids, calm lakes and snowy forests.

Gallen-Kallela collected animals and objects

Akseli Gallen-Kallela was a cosmopolitan who traveled around the world.

On trips to Africa and New Mexico, the subjects of the paintings ended up being landscapes, local people and animals hunted on safaris.

Gallen-Kallela was also a collector. During his travels, he collected artifacts from the indigenous peoples. Some of them have also ended up in the collections of the National Museum.

He brought animal samples from Africa to the University of Helsinki.

African jewelry displayed in a showcase.
Headpiece and earrings from Africa.
Visitors to the exhibition look at a painting depicting a leopard.
Akseli Gallen-Kallela gave the Cheetah work to Carl Gustaf Mannerheim. It has been borrowed from the Mannerheim Museum for the National Museum’s exhibition.

– It seems that he is not quite familiar to everyone. He is of course known as a hugely skilled artist, but the other side of his production has remained unknown to many.

A man in the wrong wall and gate.  Riding another man.
In Taos, New Mexico, there was a Finnish artist colony in the middle of Indian villages. Gallen-Kallela lived there with his wife and daughter in 1924-1925.
Detail of the work on display in the exhibition.
In America, the artist familiarized himself with Native American culture and art.

The artist designed advertisements, buildings, furniture, stained glass and textiles such as Liekki-ryijy.

He sketched the first sketches of the badges on the bottom of a Fennia cigarette box.

He was a multi-talent of his time who mastered several art fields and techniques.

A naked woman and a driver dressed in dark are struggling in a convertible car that is flying in the middle of flames.  Graphic advertising poster.ste
Bil-Bol (1907) is a classic of Finnish poster art. Car dealer Yrjö Weilin ordered an advertising poster from Gallen-Kallela for the Stockholm car show.

The artist followed his own paths

Akseli Gallen-Kallela lived at a time when Finland and Europe were in transition. The era was marked by the transformation of kingdoms into nation-states and the building of an independent Finland.

About a hundred works and objects from the multi-talented artist of his time can be seen in the exhibition.

What was Akseli Gallen-Kallela like as a person?

– He had a longing for freedom. He was a curious experimenter and a follower of his own path, Minerva Keltanen answers.

Liisa Lohtander and Minerva Keltanen.
– The exhibition that opened in December has been popular, the National Museum’s exhibition manager Minerva Keltanen and curator Liisa Lohtander say at the museum’s front door.

*The exhibition Akseli Gallen-Kallela is on display at the National Museum of Finland until April 2, 2023.*