Baby, now baked
Hits forged a cultural guest, lyricist Saara Törmä forgot to be ashamed and became an artist himself. A stylish aunt and a strange dance style was born that teenagers fan.
It is quite logical that Saara Törmä, 47, is the first song of the solo career called *wrapping cake *.
After all, a former food journalist is a collision. He is also a lyricist who forged hits for Finland’s top artists for twenty years until he decided to step into the beam.
Last week, Törmä released a song he had said, which he sings himself. The song Tiktok videos have a total of millions of views and hundreds of thousands of likes.
They have also made teenagers and adults make their own dance versions of the song.
The collision appears in the videos well-groomed aunt in vintage. He dances his angular choreography in public places: train, hockey training, train station.
The shade is real and humorous. It’s a bit like the mother of the spice girls would have decided to remove furiously.
I collide with Saara Järvenpää…
– I like to hang out with the neighbor and work at home. There is a small enough life in Järvenpää, but the heart of the big city is close. Sometimes you can take a look at and say that I don’t want to be here.
The collision emphasizes that he is quite ordinary. Perhaps it is the secret of his success, the reason that he has succeeded in reaching the deepest feelings of popular music -loving people.
… Became a rapper
Like now, even for *wrapping cake *:
*What else can in this chaos than bake*
*What else in the world of ruins of this world than twisting something*
*Wrappers and coffee to call*
Last fall, a collision became aware that teenage kids are moving home soon and their parents are starting to get older.
It started to feel that if you were to tear it up, you have to do it now.
– With songwriting colleagues, we have had a joke that when I turn 80, I make a gross rapper, a terrible bullshit.
Instead of breaking up, a *wrapper cake *was born, whose Tiktok videos are presented by the collision with his special moles under the eyes of all the people.
– I decided that I was not going to care about shame anymore. Shame is a stopping force. If you give it power, you dare not do anything. I think we’re just going. Once it just stinging.
Something empowering for women, thank you
When a collision writes, he does not think of target groups. He wants as many as possible to find something in his texts to identify with.
That is why the topics are the ones that people now usually move: in love and differences.
– They are big stuff in life, but may seem cliché because they have been made so insanely many times. It is my job to invent one surface of the wheel again, a small new perspective.
Törmä says that artists and record companies very often ask him \”something empowering for women\”.
What is it like?
– When you know, Törmä sighs.
He thinks that when lyrics, one should not be over -analyzed, but to go with intuition.
There is no other meter other than a \”hair meter\”: whether your own hair rises, whether your own eye is getting wet.
If it happens to yourself, it usually happens to someone else, he believes.
The ghost flute expands
Career in the music industry was never a collision. He is more of the types that drift.
Törmä studied various subjects: Hungarian language and culture, media industry-and close to not also pork care, which he had ruled as one alternative in the joint application. It was some kind of rebellion, he thinks.
However, the \”ghost\” was important for the career of the future lyricist.
– It’s great that I have been able to test different things. It has been genuinely useful that I have seen different things, people, ways to be and live.
As a lyricist, Törmä ended up in a half -injured when his spouse Aku Rannila asked his wife to text his band song.
-We tried to do more, but we received feedback from the record company that it was not good. \”We can take the battery compositions, but not these texts.\”
The collision became inside and started practicing writing seriously. Orders began to arrive.
Life in 2.5 minutes
Today, texts are created as teamwork. The record company space and then the text is worked on in the studio. There may be an artist and several other people.
In the early days, the collision may have thought about his husband’s compositions for a week. In peace, Antti Tuisku’s *tidal wave *and Kaija Koon *Beautiful Rietas Happy *were born.
Now there are several people present and the song is pushed a day. In the morning we start and the evening is ready.
– I shut down all the wishes in the crosswater and try to find a red thread, how to compact the story so that it doesn’t seem like the cliché in the world. At the same time, however, it must be cliché enough, Törmä describes paradoxes.
The clichés are part of pop songs. They are needed to allow the listener to adopt the 2.5 -minute lyric message. The story must go for distribution at once.
– Man does not have time to adopt new information during that time. I have to balance the familiarity and some new insight on the trapeze.
Democracy kills the strangeness
In a generalized way of calling co-texting is its side. The good thing is speed and, at best, a safe state of creation where one supports the other.
However, it may happen that the lyricist starts to pass others and reduce himself. In the worst case, listening to all opinions leads to even compromises. Nothing rises from the consensus mass.
– The strange things and spikes are leveled already at the time of the making, when everyone has to agree. Democracy reduces specialty.
The collision gives an example: Antti Tuiskun * I ski * text collision was allowed to write in peace without discussing whether the theme of the text -skiing -a good or strange idea.
And it was the lyrics that made the journalist of Helsingin Sanomat to declare the song perfect, clean and deep.
The lyricist will pay
– If there are five people in the room at the time of lyrics, it is common for the income to be distributed between the team. This is despite whether one person has made the text and the other just hanging out.
The lyricist’s income always consists of small streams. One radio call does not yet celebrate and streaming services are not known to be a pennant.
It comes as a surprise to many that a collision does not get paid for their work. Record companies order lyrics, but pay will only be copyrighted if the song receives enough calls.
– Work is done at your own risk. The job is based on the fact that there are songs that finance all activities. That is why it is really difficult to come into the industry because there must be some way to finance working.
From the lyrics to the release of the album, it can take three years, and the publication is not a guarantee that the song is successful. The end tet can be a few dozen or euros, no matter how long the time has spent on work.
Rapping mum between the tourist and JVG
The first paragraph of his artist career * wrapping cake * collision considers it incomprehensible. He didn’t expect anything, but ended up on Spotify’s Top 50 list of Finland.
It was quoted by Antti Tuiskuk, who placed a message in a message from the lyricist’s cozy wrapping cake celebrities.
– It reads that * roll cake * is ranked 17th in Spotify. It’s really incredible! It was there between the rappers, somewhere between the tourist and JVG. I thought this was not real, Törmä says, and sounds like a childishly enthusiastic.
For years, the collision has sung the demos of the songs he has subtitles. It has been the \”most wonderful moment\” since the work of the work.
Once you get started, the collision lets go. More songs will be published soon. And for the gigs, the mind, at least in a corner of the pub.
For Ruisrock maybe?
– Of course yeah!
The lyricist has found his own thing.
